Memory and Time & One Super-Engaged Parent

I’m not sure what I had for breakfast yesterday but let me tell you what I had last Sunday– crepes slathered with Nutella, hand-curled into a cone of sorts, filled with fresh-picked strawberries.  Also tabbouleh salad (it was brunch) and small fruit tarts shiny with butter. I can go on and on because this was an extraordinary meal.  Regarding yesterday, I must have had my default breakfast of cereal and an egg.

I just finished Jonah Foer’s new book on memory, Moonwalking with Einstein. Foer points out you remember most easily moments of total engagement. This makes intuitive sense. But Foer also found the more engaged you are in your own life (because its super-interesting and extraordinary– like my Sunday brunch), the longer your life seems to you.  The idea that time flies when you’re having a good time may mean your “good time”  really is not that interesting.  Cognitive scientist Ed Cooke says,

The more we pack our lives with memories, the slower time seems to fly. Our subjective experience of time is highly variable.

I love this idea! Older parents catch me and my children at Trader Joe’s or the UPS Store to say, Enjoy this time when your kids are little, because it flies by.  This advice comes my way at least twice a month and its been coming for over a decade now so it’s gotten old. But it has also prompted me to check how I experience time with my small children. My time with small children does not feel fast in any way.  I could be exaggerating here but I did use the subjective word feels. Time with me feels mostly very, very slow.  After reading Foer’s book I can just assume those old-timer parents were bored silly when their kids where young. And I can pat myself on the back for being so super-engaged with my life.  Nice all around.

 

 

 

Creativity for All– A Vaccination for Depression?

When my grandfather started out in business, he groomed his reputation with care.  People all over town thought him bright, lucky and hard-working.  So banks lent him money and city leaders sought his opinion.  He once told me he was not as rich or clever as everyone believed but he worked harder than anyone thought he did.  These days creative-types are expected to build platforms for themselves and construct solid reputations before they sell novels or garner funding for projects.  Is this a good thing?  Or are creative-types dumping precious time into stuff manager-types would handle much better?

Actually, all this platform-building talk portends an historic shift–  the democratization of Creativity.  The word “creativity” is fairly new to the English language–  it popped-up in dictionaries less than a hundred years ago.  Since then the word has been tossed around in certain circles (i.e., education, psychology).  But  today even business schools (where manager-types congregate) want to teach their students to think outside the box.  Still,  the true benefactors of this amazing trend are people who lost their creative selves in the business of growing up.  Pablo Picasso said,

Every child is an artist. The problem is how to remain an artist once we grow up.

When you’re grown up and weary with life but have a comfy couch to slump into every evening– you may remember how you used to be.  Swiss psychologist Carl Jung said,

Through pride we are ever deceiving ourselves.  But deep down below the surface of the average conscience a still, small voice says to us, “Something is out of tune.”

If you are lucky, you’ll start to remember how creative you were once.  And when you uncover this side of you– you’ll also know its the perfect moment in history to live the creative life.  Now you–  any you, can be creative.  That’s what this democratization of creativity is doing–  making it possible for more creative-types to actually Create.

Will you get back in tune and be happier if you can create?  In the past great creative achievement was more often linked negatively to depression and other mental illnesses.  Will the democratization of creativity destroy the links between depression and creative achievement like vaccinations cut the connections between polio and childhood years ago?  I may be over-reaching my point here but, I also think if you can imagine it–  it could happen.

Poor Baby? Nope–Strong, Baby.

For five days I’m writing about the most interesting methods people have used throughout history to raise brilliant children of all types. Yesterday I wrote No Mother–No Whips.

Amy Chua, the author of  The Battle Hymn of the Tiger Mother thinks Americans worry too much about emotions–especially kid’s emotions.  We throw in the towel the minute our child sheds a tear or feels bad about himself. And, we question ourselves as parents all the time. Also, we think we’ll boost our little angel’s self-esteem by praising her early and often. Chua sees highly accomplished parents “slathering praise on …kids for the lowest of tasks–drawing a squiggle or waving a stick.” To Americans, a child’s self of herself is extremely fragile.

Amy Chua is made of stronger will and thinks her children are also. She seems to ask, So what if kids cry or are hungry or have a headache? Who cares if they want to dable in photography or try out for the school play? Chinese parents have been ignoring their kid’s feelings for centuries and have required the absolute best of them– and at this particular moment in history, they kick our Western butts in any hard discipline. The big difference between us and them, Chua says, is that Chinese parents “assume strength, not fragility, and as a result they behave differently.”

Chua has a point. We tend to think  negative emotions are a sign of psychic fragility. We feel sorry for a disappointed child or one with hurt feelings.  This hasn’t always been the case in America. One hundred and fifty years ago, tantrums or disproportionate disappointments were signs of unholy strength.  ”Suppress. Suppress. Suppress,” was the American mantra–especially for girls and women.  Too much crying or laughing, for that matter, was a sign of devil worship.

Read on for one Victorian family’s tale of dealing with one child’s anger, sadness and unbound laughter.

I cringe at the thought of labeling the Alcotts as Victorians. They sure didn’t act like Victorians. First, they paid a whole lot of attention to their daughters when they were little. Most people of their status had servants care for babies. Plus, they sought to learn from their children.

Bronson and Abby Alcott–both true idealists, began studying their daughters at birth.  They each  kept a notepad around to jot things they noticed about them. Bronson noticed his first child, compliant and angelic all around, smiled directly at him on Day 2. When Louisa May came along 18 months later, he wrote of her ”unusual vivacity, and force of spirit,” and called her “active, vivid, energetic.” He noted her “power, individuality and force.”  Abby, also noted Louisa’s temperament in the earliest days.  She wrote,

She was a sprightly, merry little puss–quirking up her mouth and cooing at every sound.

But Louisa’s energy was not always positive. Historian Harriet Reisen says,

She was a fitfull infant, an affront to her father’s conviction that newborn children came from heaven trailing clouds of glory.

The contrast between his two girls was so great, Bronson wrote years later,

I once thought all minds in childhood much the same, and that in education lay the power of calling these forth into something of a common accomplishment.  But now I see that character is more of a nature than an acquirement, and that the most you can do by culture is to adorn and give external polish to natural gifts.

In the end, the eldest Alcott girl married and lived a quiet happy life.  Louisa, however, struggled daily with her roller-coaster emotions, never married but did live the life she loved. At ten years old, she recorded:

I wish I was rich, I was good, and we were all a happy family this day.

Louisa May Alcott pretty much achieved all that and more in her lifetime.

How did her parents help her?

First,  the Alcott children grew up with a Socratic education. Their father answered their questions with his own questions.  They were pushed to come up with their own answers to life’s big and small problems.

When Louisa May turned five and both parents got busier, they convinced Elizabeth Peabody –the famous American educator, to board with them. Peabody read Louisa books and taught her games.

Again, historian Harriet Reisen says,

Louisa was surrounded by the best, the brightest, and the friendliest intellectuals of the day.  At thirteen she could understand her father’s talks with Thoreau…and when Margaret Fuller came to visit, she could picture herself a grown woman like Fuller, independent, romantic, and literary.

Bronson Alcott’s best friend, Ralph Waldo Emerson, worked hard to convince and even financially help friends move into his Concord, Massachusetts neighborhood. So, Louisa took long walks through the woods trailing Thoreau with her friends.  He often stopped and talked to them and explained his love of the natural world. She interrupted a writing Ralph Waldo Emerson, when she wanted,  to get advice on which book to read next.  Then she borrowed it from his vast library.

The mental stimulation Alcott’s parents craved and got, they shared with their children. What they shared little of, was material wealth–because they had none. Bronson Alcott worked hard, for no pay.  Every other year, he planned another Utopian community or championed some social cause. Abby, though Bronson’s intellectual equal, delivered babies, worked her knuckles to the bone–for small pay, and humiliated herself in front of family by begging for loans she’d never pay back. The Alcott children often ate bread and drank water for supper.

The biggest gift Abby gave her daughter was constant encouragement to work hard to channel her emotional energy into Creative work.

She did not worry about Louisa’s emotions–really, there was too much else to worry about. But, she did give Louisa her first notebook. She advised her to write when angry.  Abby also wrote herself. She made poems for her children, as birthday presents, and asked them to do the same for her.  And when Louisa was ten, she told her she expected great things from her as well as financial help in the future.

So Louisa wrote furiously, when angry or despondent.  When ecstatic, she’d run through the woods with friends and then come home to write in her little notebook.  Louisa May Alcott sold her first article in her early teens and wrote for pay the rest of her life.  She authored hundreds of books, but the most famous is the well-loved and never-out-of-print,  Little Women.

Maybe we do worry way too much about our childrens’ emotions and self-esteem.  I say we get back to helping kids harness their innate wildness towards Creation.

Creativity Requires Innocence

A while ago, I stood on my front lawn with a friend as we watched our children play freeze tag. The children ran glowing, even glistening a little.  They fell and laughed easily and often. I smiled and said,

They’re so fun.  I just want to laugh with them.

My friend, usually an upbeat person, wasn’t smiling now. She’d been through a wicked divorce years ago and the one daughter from that broken marriage chose to live with the dad. I didn’t know the full story but when I glanced at her I thought she must be thinking of her missing girl. Keeping her eyes on the playing children, she  said,

The most important thing is to keep children innocent.

For years I saw innocence, especially in children, more like ignorance. I believed my friend was wrong. Innocence may be bliss, I thought, but it is also a shallow state of living.

The ignorant have no tools for Creation. Highly Creative people are not ignorant.

But ignorance and innocence are not the same.  Ignorance is lack of knowledge.  Innocence is lack of guilt. You can lock up your children or put Kung-Fu Panda on the screen over and over and never read them a single classic to keep them ignorant. But keeping children innocent, is a bit more tricky. Childlike innocence is maintained by keeping mistakes in proper perspective.

Highly Creative people keep this childlike innocence of personal guilt over mistakes. For Creators spilled milk is just what you clean up to move on, not what you ruminate over. Mistakes are part of ordinary Creation and clean up times come often. Albert Einstein said,

Anyone who has never made a mistake has never tried anything new.

Creation in any form is about the new, so mistakes are inevitable. When childhood mistakes are routine and glossed over and left as the unfocused background to life, mistakes aren’t scary.

Guilt over mistakes paralyzes Creative thought. I now see what my friend did long ago, keeping children innocent is a gift to ensure their future Creativity.

*Life can get scary at times for grown-ups and for children, still guilt need not squash the future.  To read more about Creativity and Fear see my post: Don’t Protect from Terror, Love Through It.

Piano Lessons and Creativity

Neuroscientist Nina Kraus believes musical experience not only sharpens your hearing for music but also alerts you to emotions expressed in speech, such as anger or sadness. The more time (both daily and across the years) a musician has practiced the more obvious the effect.

I already notice this effect with my 11 yr. old who’s been taking music lessons, on and off, since her fifth birthday.  She hears music in nature when she walks beneath grand oaks and heads for the piano when she’s angry with her brother.

I don’t usually wait around during lessons like I did when she was smaller. Her piano lesson is now a full hour and the public library is close so I zip over there and look for picture books worth reading out-loud over and over. But although the library is close and lovely, the real reason I don’t sit around is that there is no good reason to stay.

The couch at piano lessons is comfortable enough and the teacher caring and experienced but music played on the Steinway by my daughter sounds more beginner-esque than when played on our home piano.

Also, the place is lonely.  One teacher.  One student.  No bustling appasionato budding musicians any where.

Some day, this set up won’t do. My daughter will either stop progressing and lose interest or I’ll have to take her someplace where music is thick like life itself.  Yet, our current situation works for my child at this time in her life.  I judge the value of the lessons by the results. My 11 yr. old loves her teacher and seeks solace at our home piano to let bad moods pass or when she’s feeling dreamy more in mind than in body. She practices, most days, without being asked or reminded. She loves her music like a favored teddy bear, a thing that waits to serve when needed.

Music education has received a lot of positive press in the last ten years.  But claims that music leads to higher SAT scores and ensures future success are over-simplified.  Music does not make you smart automatically, just as the oh-so-juicy apple just picked off your tree doesn’t increase your English grammar skills. But that perfect Granny Smith slaps your taste-buds with sweet juice and cool crispness.

That twinkling second when your mouth sings can make you a poet and so perfect sound opens your soul to truth and  beauty.  And this fosters Creation.

Letting Feelings Pass Through

This morning, my 6 yr. old walked past my work table with head turned back towards her brother. She said,

I’m not in the mood for laughing right now!

She turned into our Music room, turned on the CD player, plopped on to the couch and closed her eyes to listen to Little Women by Louisa May Alcott.

My 6 yr. old gets the dramas Jo March, the heroine of Little Women.  At the moment, Jo is turning down her best friend Laurie’s proposal to marry him.

Laurie says,

If you marry me, I’d be a perfect saint!  You could make me into anything you want.

Jo says,

But I can’t change the feeling.  And it would be a lie if I said I do, when I don’t.

My daughter knows more about this in first grade than I did at 18 when I spent a year in South America.

Latin Americans are stereotypically passionate. They don’t handle feelings, but let them pass through as life energies. I learned this after my good friend Fernanda was snubbed publicly by an ex-boyfriend’s new fling.

I walked her home, chatting about nothing important.  At her front gate, she thanked me for keeping her company and said good-bye.  Then she yelled toward the kitchen,

Mariana?

Tell everybody I’m in a bad mood. They mustn’t bother me!

That evening I asked Fernanda how her family handled her request for space.

What do you mean?

I may as well have asked how her family felt about her laughter or need for time with friends.  Her routine to recover from life’s slights and mood breakers fazed no one at her home.

This was a revelation to me, because I thought her dramatic license a bit self-important.

Years later, I heard Barney, the purple dinosaur sing a Spanish version of the children’s classic  “If You’re Happy and You Know It“. This alternative version included two verses, “If You’re Sad and You Know It” and “If You’re Angry, And You Know It,” both of which are absent from the English version. Latin children are coaxed to frown if they are sad, and stomp if they are angry.

Bad moods come and happy moods go, every day you breathe.

When upset, Jo March turned to her notebooks to write or “scribble”, as she called her writing.

My 6 yr. old finds listening to Jo’s story lifts her mood. I’m happy to see her take action.  Hopefully, like Jo, she’ll also  someday find Creative work to channel all of life’s moods into.

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