Creativity’s Terrain, Part 10: Find A Love & Attend to It, For Life

You have less control over your environment and the environment in which your children grow than you think. The variables are infinite. For two weeks I’m writing about Creativity’s Terrain and the variables you can control. Yesterday I wrote about Setting Your Own Path.

Creativity in a given domain builds on pleasure but  is sustained, just like the best of relationships, with lifelong attention.

A few months ago, my son and I happened to walk past the Lego isle at a toy shop. We didn’t stop, but his eyes skipped a blink.

Cognitive psychologists measure a baby’s interest in or recognition of objects by split second differences in attention. A baby will look at an object that captures her interest a tiny bit longer. I registered my son’s pause and knew what I’d buy for his next birthday.

He’s crazy-infatuated now. Four hours a day using Lego’s Design by Me site is not enough.  He eats, sleeps and swims when I insist he must take a break.  The rest of his day is spent as follows:

  • building Legos
  • talking his sisters (at home) and cousins (by phone) into buying Legos
  • begging to help me with unsavory (paid) chores, so he can buy Legos
  • trying to figure out how to work as a Lego designer, by the time he turns 13 (he’s willing to move to Denmark)

He may not remain monogamous for long in this relationship with Legos.  His first child may, or may not, be born in Bullund, Denmark. Regardless, working long hours with Legos will serve a more enduring, future Creative pursuit by fortifying, among other things, problem-solving and three-dimensional design skills. And he will love Legos into old age for the joy he feels today.

Love for a domain need not reach full-blast, at first sight.  In fact, it will need 10,000 hours of devoted attention to allow for Creativity.

My 11 yr. old daughter spent the big bucks, this morning, on acrylic paint tubes.  She’s been painting all afternoon and left her room for dinner, amazed two hours had passed since she last left the easel. Up-sweeping her brow, she  said,

Wow. I can see how artists get so involved in their work.

This overt love of painting is new but an interest has simmered in her subconscious for years. Now, with her recent 45 hours of art lessons squeezed into three weeks, she’s hooked.  She’s learned who Mary Cassatt was and how hard Claude Monet fought for respect and relates, even if only a bit.

Her sweet infatuation may grow tall and wide to lead her to Art School later or, it may ripple into a different domain for her as well.

My most vivid memories of childhood recall the amazing (to me), cosmological questions I pondered back then. I’ve spent happy hours drawing and reading and running marathons. I’m crazy about my children and married my soul mate. But like Rene Descartes,

I think, therefore Iam.

Matt Ridley, author of The Rational Optimist, is a zoologist, financier and journalist. He travels and hikes and dabbles in philanthropy.  But is true love seems philosophy.  He thinks about the origins of Man and what makes us who, and what, we are. He married a neuroscientist. His training and his relationships, fuel his passion for thinking.

Young Albert Einstein‘s stint clerking in the Swiss Patent office, also fueled his thinking passion.  He reviewed patents on clocks (which in his day were not atomic-time accurate) and pondered on the enigma of time.

Even the patron saint of polymaths, Leonardo Da Vinci, had one huge idea to drive all his projects.  His was a lifelong love for the human eye. This awe for the human capacity to see drove his every invention and every work of art.

Highly Creative people eventually stop flitting domain to domain to devote themselves to the one domain they’ll love lifelong. They dream within one domain and love it, as long as life.

Defining Creativity, Part 4: Fighting Entropy in the Reinassance

Every day, for a week,  I’m writing about the definitions of Creativity thinkers have offered throughout history and why each one cannot be the final definition. Yesterday I wrote about Inspired Poets and Creating Dieties.

The path of Human Creativity, paved with sweat, sore muscles and lots of thinking, shone first for artists and writers of the Renaissance. Inspiration came from Heaven, as a gift to mimic divine perfection, but with enough strings attached to make it a burden, an imperative to act. The artist Michelangelo and polymath Leonardo Da Vinci embodied the best of the Renaissance and wrote about the Creative process.

In the Renaissance, the artist, attempted  to reveal God, for himself and others. Michelangelo said,

Every beauty which is seen here by persons of perception resembles more than anything else that celestial source from which we all are come.

The revelation of God’s Creation through art began with the human form itself. Again, Michelangelo:

What spirit is so empty and blind, that it cannot recognize the fact that the foot is more noble than the shoe, and skin more beautiful than the garment with which it is clothed?

So great a task could not be mere rule-following or craft, but firmly founded on intellect. Michelangelo:

He who loves practice without theory is like the sailor who boards ship without a rudder and compass and never knows where he may cast.

Human intellect and Heavenly inspiration set the boundaries for decades of exhausting work.  Leonardo Da Vinci said,

I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do.

Michelangelo:

There is no greater harm than that of time wasted.

If people knew how hard I worked to get my mastery, it wouldn’t seem so wonderful at all.

Such work, bathed in meaning and purpose quieted the soul on good days.  Da Vinci said,

As a well-spent day brings happy sleep, so a life well spent brings happy death.

Or, opened the door to the cellars of self-doubt.  Again, Da Vinci:

I have offended God and mankind because my work didn’t reach the quality it should have.

Highly Creatives of the Renaissance fought entropy with heart and soul. Michelangelo:

The greater danger for most of us lies not in setting our aim too high and falling short; but in setting our aim too low, and achieving our mark.

Many believe – and I believe – that I have been designated for this work by God. In spite of my old age, I do not want to give it up; I work out of love for God and I put all my hope in Him.

Today we carry many of these beliefs to define Creativity.  But inspiration, intellect and a lifetime commitment to hard work do not guarantee Creation, nor do they tell the entire story of what Creativity is.

%d bloggers like this: